Art has to marry the real world, the world of the senses with the world of dreams and imagination, with the inner world of the artist. However, photography not only initially aims or rather begins with reality, it also uses it as its primary material. The nature of photography is to record reality with precision. We will not have photography with an artistic intention and goal if the transformation brought about by the personal world of the photographer, his dreams, his imagination, has not intervened. Therefore, the word transformation is a key word for all art, but especially for photography. And the word transformation in photography goes hand in hand with the word respect for the reality that is also our raw material. How is this transformation achieved? By taking a real event and transforming it into a photographic event, into an artistic event of photography. There is no rule, no definition that can explain this thing, and the only thing one can say is that the means that each photographer has are the same as his artistic genius under the condition to maintain the convention that photography describes, so it cannot deviate even a percentage of truthfulness. A photographic event is therefore something that derives its origin from a real event but which inside a photograph transforms into something completely new which owes its existence to the sensitivity, wisdom, madness, and personality of the artist. That is why I will never stop saying that the only thing that interests us in art and photography is the presence of the creator. Each photograph is the identity of a new creator. Each photographic event is an event that was produced because a photographer intervened and placed himself between reality and its depiction.