| Almodòvar Pedro |
Atame (1990) |
100' |
* * |
| Almodòvar Pedro |
Carne tremula (1997) |
103' |
* * * |
| Almodòvar Pedro |
Entre tinieblas (1983) |
109' |
* * * * |
| Almodòvar Pedro |
Hable con ella (2002) |
113' |
* * * * |
| Almodòvar Pedro |
Julietta (2016) |
98' |
* * * |
| Almodòvar Pedro |
Kika (1993) |
109' |
* |
| Almodòvar Pedro |
La flor de mi secreto (1995) |
103' |
* * * * |
| Almodòvar Pedro |
La ley del deseo (1987) |
98' |
* * * * * |
| Almodòvar Pedro |
Labirinto de passion (1982) |
100' |
* * |
| Almodòvar Pedro |
Matador (1986) |
103' |
* * |
| Almodòvar Pedro |
Mujeres al borde de un ataque de nervios (1988) |
89' |
* * * * |
| Almodòvar Pedro |
Pepi, Luci, Bom Part (1980) |
78' |
* * |
| Almodòvar Pedro |
Qué e hecho yo para merecer esto!! (1984) |
101' |
* * * * * |
| Almodòvar Pedro |
Salome (1978) |
12' |
* |
| Almodòvar Pedro |
Tacone lejanos (1992) |
115' |
* * |
| Almodòvar Pedro |
Todo sobre mi madre (1999) |
101' |
* * * * * |
| Almodòvar Pedro |
Volver (2006) |
116' |
* * * * * |
| Antonioni Michelangelo |
Blow up (1966) |
106' |
* * |
| Antonioni Michelangelo |
Cronaca di un amore (1950) |
95' |
* * |
| Antonioni Michelangelo |
Gente del Pò (1947) |
10' |
* * |
| Antonioni Michelangelo |
I tre volti (Il provino), 1965 |
115' (35') |
* |
| Antonioni Michelangelo |
I vinti (1953) |
109' |
* * |
| Antonioni Michelangelo |
Identificazione di una donna (1982) |
125' |
* * |
| Antonioni Michelangelo |
Il deserto rosso (1964) |
115' |
* * * * |
| Antonioni Michelangelo |
Il grido (1957) |
115' |
* * * |
| Antonioni Michelangelo |
Il mistero di Oberwald (1980) |
129' |
* |
| Antonioni Michelangelo |
L' Eclisse (1962) |
120' |
* * * * * |
| Antonioni Michelangelo |
La notte (1961) |
115' |
* * * * * |
| Antonioni Michelangelo |
La signora senza camelie (1953) |
98' |
* |
| Antonioni Michelangelo |
L'amore in città (Tentato suicudio) (1953) |
110' (17') |
* |
| Antonioni Michelangelo |
L'amorosa menzogna |
10' |
* * |
| Antonioni Michelangelo |
L'avventura (1960) |
143' |
* * * * * |
| Antonioni Michelangelo |
Le amiche (1955) |
99' |
* * * * |
| Antonioni Michelangelo |
Netteza Urbana (1948) |
9' |
* * |
| Antonioni Michelangelo |
Professione: reporter (1975) |
126' |
* * * * |
| Antonioni Michelangelo |
Zabriskie Point (1970) |
112' |
* |
| Bergman Ingmar |
A lesson in love - En lektion i kärlek (1954) |
95' |
* * * |
| Bergman Ingmar |
A ship bound for India - Skepp till Indialand (1947) |
98' |
* |
| Bergman Ingmar |
After the rehearsal - Efter repetitionen (1983) |
72' |
* * * * |
| Bergman Ingmar |
All these women - För at inte tala om alla dessa kvinnor (1964) |
80' |
* |
| Bergman Ingmar |
Autumn sonata - Höstsonaten (1978) |
92' |
* * * |
| Bergman Ingmar |
Brink of life - Nära livet (1958) |
83' |
* * * |
| Bergman Ingmar |
Cries and whispers - Viskningar och rop (1972) |
91' |
* * |
| Bergman Ingmar |
Crisis - Kris (1946) |
90' |
* |
| Bergman Ingmar |
Dreams - Kvinnodröm (1955) |
87' |
* * * |
| Bergman Ingmar |
Fanny and Alexander - Fanny och Alexander (1982) |
180' |
* * * |
| Bergman Ingmar |
Fanny and Alexander - Fanny och Alexander (Φάνυ και Αλέξανδρος) (1982) |
322' |
* * * |
| Bergman Ingmar |
From the life of the marionettes - Aus dem Leben dert Marionetten (1980) |
100' |
* * * * * |
| Bergman Ingmar |
Hour of the wolf - Vargtimmen (1968) |
77' |
* * |
| Bergman Ingmar |
In the presence of a clown - Larmar och gör sig till (1997) |
111' |
* * * * |
| Bergman Ingmar |
It rains on our love - Det regnar på vår kärlek (1946) |
95' |
* |
| Bergman Ingmar |
Karin's face - Karins Ansikte (1984) |
14' |
* |
| Bergman Ingmar |
Music in darkness - Musik i mörker (1948) |
87' |
* |
| Bergman Ingmar |
Persona (1966) |
80' |
* * * * * |
| Bergman Ingmar |
Port of call - Hamnstad 1948) |
100' |
* * |
| Bergman Ingmar |
Prison - Fängelse (1949) |
98' |
* |
| Bergman Ingmar |
Saraband (2003) |
120' |
* * * |
| Bergman Ingmar |
Sawdust and tinsel - Gycklarnas afton (1953) |
87' |
* * * |
| Bergman Ingmar |
Scenes from a mariage - Scener ur ett äktenscap (1973) |
164' |
* * * |
| Bergman Ingmar |
Shame - Skammen (1968) |
102' |
* * * |
| Bergman Ingmar |
Smiles of summer night - Sommarnattens leende (1955) |
104' |
* * * * |
| Bergman Ingmar |
Summer interlude - Sommarlek (1951) |
92' |
* * * * |
| Bergman Ingmar |
Summer with Monica - Sommaren med Monika (1952) |
92' |
* * * * |
| Bergman Ingmar |
The devil's eye - Djävulens öga (1960) |
83' |
* * * |
| Bergman Ingmar |
The magic flute - Trollflöjten (1975) |
135' |
* * * |
| Bergman Ingmar |
The Magician - Ansiktet (1958) |
97' |
* * * * |
| Bergman Ingmar |
The passion of Anna - En passion (1969) |
101' |
* * * * * |
| Bergman Ingmar |
The rite - Riten (1969) |
75' |
* * * |
| Bergman Ingmar |
The seventh seal - Det sjunde inseglet (1957) |
96' |
* * |
| Bergman Ingmar |
The silence - Tystnaden (1963) |
95' |
* * * * * |
| Bergman Ingmar |
The virgin spring - Jungfrukällan (1960) |
86' |
* * |
| Bergman Ingmar |
Thirst - Törst (1949) |
84' |
* * * |
| Bergman Ingmar |
Through a glass darkly - Sasom i en spegel (1961) |
91' |
* * * * * |
| Bergman Ingmar |
To joy - Till glädje (1950) |
98' |
* * |
| Bergman Ingmar |
Waiting Women - Kvinnors väntan (1951) |
108' |
* * * |
| Bergman Ingmar |
Wild strawberries - Smultronstället (1957) |
91' |
* * * * * |
| Bergman Ingmar |
Winter light - Natvardsgästerna (1963) |
80' |
* * * * * |
| Buñuel Luis |
Abismos de pasion (Wuthering Heights) (1954) |
91' |
* * * * |
| Buñuel Luis |
Belle de Jour (1967) |
102' |
* * |
| Buñuel Luis |
Cela s'appelle l'aurore (1956) |
98' |
* * |
| Buñuel Luis |
Cet obscur objet du desir (1977) |
104' |
* * * * |
| Buñuel Luis |
El (1952) |
100' |
* * |
| Buñuel Luis |
El angel exterminador (1962) |
93' |
* * * * * |
| Buñuel Luis |
El bruto (1953) |
81' |
* * |
| Buñuel Luis |
El gran calavera (1949) |
92' |
* * |
| Buñuel Luis |
El rio y la muerte (1954) |
91' |
* |
| Buñuel Luis |
Ensayo de un crimen (The criminal life of Archibaldo de la Cruz) (1955) |
91' |
* * * * |
| Buñuel Luis |
Gran Casino (1947) |
96' |
* |
| Buñuel Luis |
L' Age d'Or (1930) |
64' |
* * * * |
| Buñuel Luis |
La fièvre monte à El Pao (1959) |
97' |
* * |
| Buñuel Luis |
La ilusiòn viaja en tranvia (1953) |
83' |
* * * |
| Buñuel Luis |
La joven (The Young One) (1960) |
92' |
* * * * |
| Buñuel Luis |
La mort en ce jardin (1956) |
104' |
* * |
| Buñuel Luis |
Las aventuras de Robinson Crusoe (1954) |
90' |
* * |
| Buñuel Luis |
Las Hurdes (1933) |
27' |
* * |
| Buñuel Luis |
La voie lactée (1969) |
97' |
* * * * |
| Buñuel Luis |
Le charme discret de la bourgeoisie (1972) |
101' |
* * * * |
| Buñuel Luis |
Le fantôme de la libérté (1974) |
99' |
* * * * * |
| Buñuel Luis |
Le journal d'une femme de chambre (1964) |
98' |
* * |
| Buñuel Luis |
Los Olvidados (1950) |
88' |
* * * * |
| Buñuel Luis |
Nazarin (1958) |
90' |
* * * * * |
| Buñuel Luis |
Simon del desierto (1965) |
46' |
* * * * |
| Buñuel Luis |
Subida al cielo (1952) |
75' |
* * * * |
| Buñuel Luis |
Susana (1951) |
86' |
* |
| Buñuel Luis |
Tristana (1970) |
95' |
* * * |
| Buñuel Luis |
Una mujer sin amor (1951) |
91' |
* |
| Buñuel Luis |
Un chien andalou (1929) |
17' |
* * * * * |
| Buñuel Luis |
Viridiana (1961) |
90' |
* * * * * |
| Capra Frank |
A Hole in the Head (1959) |
120' |
* * |
| Capra Frank |
American Madness (1932) |
75' |
* * * |
| Capra Frank |
Arsenic and Old Lace (1944) |
118' |
* * |
| Capra Frank |
Broadway Bill (1934) |
102' |
* * |
| Capra Frank |
Here Comes the Groom (1951) |
113' |
* * |
| Capra Frank |
It Happened One Night (1934) |
101' |
* * |
| Capra Frank |
It' s a wonderful life (1946) |
125' |
* * * * |
| Capra Frank |
Lady for a Day (1933) |
92' |
* * * |
| Capra Frank |
Lost Horizon (1937) |
128' |
* * * |
| Capra Frank |
Meet John Doe (1941) |
123' |
* * * * |
| Capra Frank |
Mr Deeds Goes to Town (1936) |
110' |
* * * * |
| Capra Frank |
Mr Smith Goes to Washington (1939) |
125' |
* * * * |
| Capra Frank |
Platinum Blonde (1931) |
85' |
* * |
| Capra Frank |
Pocketful of Miracles (1961) |
132' |
* * |
| Capra Frank |
Riding High (1950) |
111' |
* |
| Capra Frank |
State of the Union (1948) |
123' |
* * * |
| Capra Frank |
That Certain Thing (1928) |
86' |
* |
| Capra Frank |
The Bitter Tea Of General Yen (1933) |
87' |
* |
| Capra Frank |
The Matinee Idol (1928) |
56' |
* * * * |
| Capra Frank |
The Miracle Woman (1931) |
90' |
* * * |
| Capra Frank |
The Strong Man (1926) (Harry Langdon) |
74' - 58' |
* * |
| Capra Frank |
Long Pants (1927) (Harry Langdon) |
58' |
* * |
| Capra Frank |
You Can’t Take It With You (1938) |
121' |
* * * |
| Cassavetes John |
A Woman under the Influence (1974) |
147' |
* * * |
| Cassavetes John |
Faces (1968) |
130' |
* * * * |
| Cassavetes John |
Gloria (1980) |
116' |
* |
| Cassavetes John |
Husbands (1970) |
154' |
* * * * * |
| Cassavetes John |
Love Streams (1984) |
160' |
* * * * * |
| Cassavetes John |
Minnie and Moskowitz (1971) |
115' |
* * |
| Cassavetes John |
Opening night (1977) |
144' |
* * * * * |
| Cassavetes John |
Shadows (1959) |
79' |
* * * * |
| Cassavetes John |
The killing of a chinese bookie (1976) |
103' |
* * * * |
| De Sica Vittorio |
Boccacio '70 (La tentazione del Dr. Antonio) (1962) |
150' |
* * * |
| De Sica Vittorio |
I bambini ci guardano (1944) |
85' |
* * |
| De Sica Vittorio |
Ieri, oggi e domani (1963) |
119' |
* * |
| De Sica Vittorio |
Il boom (1963) |
88' |
* * |
| De Sica Vittorio |
Il giardino dei Finzi-Contini (1970) |
94' |
* |
| De Sica Vittorio |
Il Giudizio Universale (1961) |
95' |
* * * * |
| De Sica Vittorio |
Il tetto (1956) |
95' |
* * |
| De Sica Vittorio |
Ladri di biciclette (1948) BLU-RAY |
89' |
* * * * * |
| De Sica Vittorio |
Le streghe (Una sera come le altre) (1966) |
26' |
* * |
| De Sica Vittorio |
L'oro di Napoli (1954) |
132' |
* * * * |
| De Sica Vittorio |
Maddalena zero in condotta (1940) |
76' |
* * |
| De Sica Vittorio |
Matrimonio all'Italiana (1964) |
98' |
* |
| De Sica Vittorio |
Miracolo a Milano (1951) |
97' |
* * * * |
| De Sica Vittorio |
Sciuscià (1946) |
88' |
* * * * |
| De Sica Vittorio |
Stazione Termini (1953) |
89' |
* * * |
| De Sica Vittorio |
Teresa Venerdi (1941) |
92' |
* * |
| De Sica Vittorio |
Umberto D (1952) |
89' |
* * * * * |
| De Sica Vittorio |
Un Garibaldino al convento (1941) |
83' |
* * |
| De Sica Vittorio |
Una breve vacanza (A brief vacation) (1973) |
112' |
* * * |
| Dreyer Carl-Theodor |
Blade af Satans Bog (Leaves from the Satan's Book) (1919) |
121' |
* * * * |
| Dreyer Carl-Theodor |
De naede faergen (They caught the Ferry) (1948) |
12' |
* * |
| Dreyer Carl-Theodor |
Der Var Engang (Μια φορά κι έναν καιρό) (1922) |
75' |
* |
| Dreyer Carl-Theodor |
Die Gezeichneten (Αγαπάτε αλλήλους) (1921) |
105' |
* |
| Dreyer Carl-Theodor |
Du skal aere din hustru (Master of the house) (1925) |
110' |
* * * * |
| Dreyer Carl-Theodor |
Et slot i et slot (Το κάστρο μέσα στο κάστρο) (1955) |
10' |
* |
| Dreyer Carl-Theodor |
Gertrud (1964) |
116' |
* * * * * |
| Dreyer Carl-Theodor |
Glomdalsbruden (1926) (Η νύφη του Glomdal) |
71' |
* * |
| Dreyer Carl-Theodor |
Landsbykirken (The Village Church) (1947) |
14' |
* * * |
| Dreyer Carl-Theodor |
La Passion de Jeanne D'Arc (1928) |
82' |
* * * * * |
| Dreyer Carl-Theodor |
Mikael (1924) |
90' |
* * * * * |
| Dreyer Carl-Theodor |
Modrehjaelpen (Good Mothers) 1942 |
11' |
* |
| Dreyer Carl-Theodor |
Ordet (1955) |
126' |
* * * * * |
| Dreyer Carl-Theodor |
Praesidenten (1918) |
75' |
* * * * |
| Dreyer Carl-Theodor |
Praestaenkan (The Parson's Widow) (1920) |
71' |
* * * * |
| Dreyer Carl-Theodor |
Thorvaldsen (1949) |
10' |
* |
| Dreyer Carl-Theodor |
Tva Manniskor (Δύο ανθρώπινες υπάρξεις) (1944) |
74' |
* * * * |
| Dreyer Carl-Theodor |
Vampyr (+ The Mascot by Ladislas Starewicz) (1932) |
72'+26' |
* * * * |
| Dreyer Carl-Theodor |
Vredens Dag (Dies Irae) (1943) |
97' |
* * * * |
| Fellini Federico |
Amarcord (1973) |
118' |
* * * * |
| Fellini Federico |
Boccacio '70 (La tentazione del Dr. Antonio) (1962) |
150' |
* * * |
| Fellini Federico |
E la nave va (1983) |
127' |
* * * * |
| Fellini Federico |
Ginger e Fred (1986) |
120' |
* * * * |
| Fellini Federico |
Giuglietta degli spiriti (1965) |
129' |
* * * |
| Fellini Federico |
I clowns (1970) |
88' |
* * * * * |
| Fellini Federico |
I vitelloni (1953) |
103' |
* * * * * |
| Fellini Federico |
Il Bidone (1955) |
91' |
* * |
| Fellini Federico |
Il Casanova (1976) |
148' |
* * * * |
| Fellini Federico |
Intervista (1987) |
105' |
* * * * * |
| Fellini Federico |
La città delle donne (1980) |
138' |
* * * * |
| Fellini Federico |
La dolce vita (1960) |
174' |
* * * * * |
| Fellini Federico |
La Strada (1954) |
104' |
* * * * |
| Fellini Federico |
La voce della luna (1990) |
116' |
* |
| Fellini Federico |
L'amore in città (Agenzia matrimoniale) (1953) |
110' |
* * * |
| Fellini Federico |
Le Notti di Cabiria (1957) |
118' |
* * * * |
| Fellini Federico |
Lo sceicco bianco (1952) |
86' |
* * * * |
| Fellini Federico |
Luci del varietà (1951) |
97' |
* * * |
| Fellini Federico |
Otto e mezzo (1963) |
138' |
* * * * * |
| Fellini Federico |
Prova d'orchestra (1978) |
70' |
* * * * |
| Fellini Federico |
Roma (1972) |
119' |
* * * * * |
| Fellini Federico |
Satyricon (1969) |
129' |
* * |
| Fellini Federico |
Spirits of the dead (Tre passi nel delirio) Tobby Dammit (1968) |
121' |
* * * |
| Ford John |
Black Watch (1929) |
93' |
* * |
| Ford John |
December 7th (1943) |
82' |
* |
| Ford John |
Donovan's reef (1963) |
104' |
* * |
| Ford John |
Flesh (1932) |
96' |
* * |
| Ford John |
Four Men And a Prayer (1938) |
82' |
* * * |
| Ford John |
Four Sons (1928) |
96' |
* * * |
| Ford John |
How Green Was My Valley (1941) |
114' |
* * * * * |
| Ford John |
Judge Priest (1934) |
80' |
* * |
| Ford John |
Mary of Scotland (1936) |
123' |
* * |
| Ford John |
Mister Roberts (Permission jusqu'a laube) (1955) |
116' |
* |
| Ford John |
Mogambo (1953) |
111' |
* |
| Ford John |
My Darling Clementine (1946) |
93' |
* * * |
| Ford John |
Pilgrimage (1933) |
93' |
* * |
| Ford John |
Rio Grande (1950) |
100' |
* * * |
| Ford John |
Sergeant Rutledge (1960) |
111' |
* * * |
| Ford John |
Seven Women (1966) |
87' |
* |
| Ford John |
She Wore A Yellow Ribbon (1949) |
103' |
* * |
| Ford John |
Stagecoach (1939) |
96' |
* * * * |
| Ford John |
Steamboat Round The Bend (1935) |
78' |
* * * |
| Ford John |
The Fugitive (1947) |
99' |
* |
| Ford John |
The Grapes Of Wrath (1940) |
129' |
* * * * |
| Ford John |
The Hurricane (1937) |
110' |
* |
| Ford John |
The Horse Soldiers (1959) |
120' |
* |
| Ford John |
The Informer (1935) |
92' |
* * |
| Ford John |
The Iron Horse (1924) |
149' |
* * * * |
| Ford John |
The Last Hurrah (1958) |
121' |
* * * |
| Ford John |
The Long Gray Line (1955) |
137' |
* * * |
| Ford John |
The Long Voyage Home (1940) |
105' |
* * * |
| Ford John |
The Lost Patrol (1934) |
72' |
* |
| Ford John |
The Man Who Shot Liberty Valance (1962) |
118' |
* * * |
| Ford John |
The Prisoner of Shark Island (1936) |
91' |
* * * |
| Ford John |
The Quiet Man (1952) |
129' |
* * * * |
| Ford John |
The Rising Of The Moon (1957) |
81' |
* * * |
| Ford John |
The Searchers (1956) |
114' |
* * * * |
| Ford John |
The Sun Shines Bright (1953) |
92' |
* * * |
| Ford John |
They Were Expendable (1945) |
129' |
* |
| Ford John |
3 Bad Men (1926) |
92' |
* * * |
| Ford John |
Three Godfathers (1948) |
101' |
* * * |
| Ford John |
Two Rode Together (1961) |
104' |
* |
| Ford John |
Wagon Master (1950) |
85' |
* * * |
| Ford John |
Wee Willie Winkie (1937) |
100' |
* |
| Ford John |
What Price Glory (1952) |
105' |
* * |
| Ford John |
Young Mr Lincoln (1939) |
95' |
* * * |
| Griffith David Wark |
Broken blossoms (1919) |
89' |
* * * * |
| Griffith David Wark |
Intolerance (1916) |
163' |
* * * * |
| Griffith David Wark |
Orphans of the storm (1922) |
150' |
* * * |
| Griffith David Wark |
Sally of the sawdust (1925) |
113' |
* * * |
| Griffith David Wark |
The battle of the sexes (1928) |
88' |
* * * |
| Griffith David Wark |
The Birth of a Nation (1915) |
187' |
* * * * |
| Griffith David Wark |
True Heart Susie (1919) |
87' |
* * |
| Griffith David Wark |
Way down east (1920) |
145' |
* * * * |
| Jarmusch Jim |
Broken Flowers (2005) |
106' |
* * |
| Jarmusch Jim |
Coffee and cigarettes (2003) |
97' |
* * |
| Jarmusch Jim |
Dead Man (1995) |
121' |
* * |
| Jarmusch Jim |
Down by Law (1986) |
107' |
* * * |
| Jarmusch Jim |
Ghost Dog (1999) |
111' |
* * * |
| Jarmusch Jim |
Mystery Train (1989) |
110' |
* * * |
| Jarmusch Jim |
Night on Earth (1991) |
127' |
* * * |
| Jarmusch Jim |
Paterson (2016) |
118' |
* * * |
| Jarmusch Jim |
Stranger than Paradise (1984) |
89' |
* * * |
| Kazan Elia |
A Face in the Crowd (1957) |
125' |
* * * * |
| Kazan Elia |
America America (1963) |
177' |
* * |
| Kazan Elia |
A Streetcar Named Desire (1951) |
125' |
* * * * |
| Kazan Elia |
A Tree Grows in Brooklyn (1945) |
125' |
* * * |
| Kazan Elia |
Baby Doll (1956) |
104' |
* * * |
| Kazan Elia |
East of Eden(1955) |
113' |
* * * |
| Kazan Elia |
East of Eden(1955) |
113' |
* * * |
| Kazan Elia |
Gentlemen's agreement (1947) |
114' |
* * |
| Kazan Elia |
Man on a Tightrope(1953) |
105' |
* * * * |
| Kazan Elia |
On the waterfront (1954) |
103' |
* * * * |
| Kazan Elia |
Panic in the Streets (1950) |
96' |
* * * |
| Kazan Elia |
Pinky (1949) |
101' |
* * |
| Kazan Elia |
Splendor in the grass (1961) |
119' |
* * * * |
| Kazan Elia |
The Arrangement (1969) |
126' |
* * |
| Kazan Elia |
The Last Tycoon (1976) |
123' |
* * |
| Kazan Elia |
The Sea Of Grass (1947) |
123' |
* |
| Kazan Elia |
Viva Zapata (1952) |
108' |
* * * |
| Kazan Elia |
Wild River (1960) |
106' |
* * * |
| Keaton Buster |
Battling butler (1926) |
71' |
* * * * |
| Keaton Buster |
College (1927) |
66' |
* * * * |
| Keaton Buster |
Convict 13 (1920) |
20' |
* * * * |
| Keaton Buster |
Cops (1922) |
|
* * * * |
| Keaton Buster |
Cops (1922) |
23' |
* * * * |
| Keaton Buster |
Daydreams (1922) |
22' |
* * * * |
| Keaton Buster |
Film (Samuel Becket) (1965) |
20' |
* * * * * |
| Keaton Buster |
Free and Easy (1930) |
93' |
* * * * |
| Keaton Buster |
Go West (1925) |
69' |
* * * * |
| Keaton Buster |
Hard luck (1921) |
22' |
* * * * |
| Keaton Buster |
High Sign (1921) |
21' |
* * * * |
| Keaton Buster |
My wife's relations (1922) |
25' |
* * * * |
| Keaton Buster |
Neighbors (1920) |
18' |
* * * * |
| Keaton Buster |
One week (1920) |
19' |
* * * * |
| Keaton Buster |
Our hospitality (1923) |
75' |
* * * * |
| Keaton Buster |
Seven Chances (1925) |
56' |
* * * * |
| Keaton Buster |
Sherlock Jr. (1924) |
44' |
* * * * |
| Keaton Buster |
Spite Marriage (1929)) |
73' |
* * |
| Keaton Buster |
Steamboat Bill, Jr. (1928) |
69' |
* * * * |
| Keaton Buster |
The ballloonatic (1923) |
22' |
* * * * |
| Keaton Buster |
The blacksmith (1922) |
21' |
* * * * |
| Keaton Buster |
The Boat (1921) |
|
* * * * |
| Keaton Buster |
The electric house (1922) |
23' |
* * * * |
| Keaton Buster |
The frozen North (1922) |
20' |
* * * * |
| Keaton Buster |
The General (1927) |
75' |
* * * * |
| Keaton Buster |
The goat (1921) |
23' |
* * * * |
| Keaton Buster |
The haunted house (1921) |
17' |
* * * * |
| Keaton Buster |
The playhouse (1921) |
18' |
* * * * |
| Keaton Buster |
The railrodder (1965) |
25' |
* * * * |
| Keaton Buster |
The Saphead |
78' |
* * * * |
| Keaton Buster |
Three ages (1923) |
63' |
* * * * |
| Lang Fritz |
Blue Gardenia (1953) |
93' |
* |
| Lang Fritz |
Clash by Night (1952) |
105' |
* * |
| Lang Fritz |
Das indische Grabmal (1959) |
101' |
* * |
| Lang Fritz |
Das Testament der Dr. Mabuse (1933) |
115' |
* * * * |
| Lang Fritz |
Der muede Tod (1921) |
99' |
* * * * * |
| Lang Fritz |
Der Tiger von Eschnapur (1959) |
100' |
* * |
| Lang Fritz |
Die Niebelungen (1924) |
291' |
* * * * |
| Lang Fritz |
Die Spinnen (1919) |
291' |
* |
| Lang Fritz |
Die Tausend Augen der Dr. Mabuse (1960) |
99' |
* * |
| Lang Fritz |
Dr. Mabuse, Der Spieler (1922) |
229' |
* * * * |
| Lang Fritz |
Frau im Mond (1929) |
169' |
* * * * * |
| Lang Fritz |
Fury (1936) |
92' |
* * * |
| Lang Fritz |
Hangmen also die (1943) |
128' |
* * |
| Lang Fritz |
House By The River (1950) |
84' |
* |
| Lang Fritz |
Liliom (1934) |
116' |
* * * * |
| Lang Fritz |
M (1931) |
110' |
* * * * * |
| Lang Fritz |
Man Hunt (1941) |
105' |
* |
| Lang Fritz |
Metropolis (1927) |
118' |
* * * * |
| Lang Fritz |
Ministry Of Fear (1944) |
83' |
* * |
| Lang Fritz |
Moonfleet (1955) |
87' |
* * |
| Lang Fritz |
Scarlet street (1945) |
103' |
* * |
| Lang Fritz |
Secret Beyond the Door (Le secret derrière la porte) (1948) |
99' |
* |
| Lang Fritz |
Spione (1928) |
143' |
* * * |
| Lang Fritz |
The Woman In The Window (1944) |
99' |
* |
| Lang Fritz |
While The City Sleeps (1956) |
100' |
* |
| Lang Fritz |
Western Union (1941) |
95' |
* |
| Lang Fritz |
You and Me (1938) |
90' |
* |
| Lang Fritz |
You Only Live Once (1937) |
82' |
* * |
| Mizoguchi Kenji |
Akasen chitai (Ο δρόμος της ντροπής) (1956) |
87' |
* * * |
| Mizoguchi Kenji |
Chikamatsu Monogatari (Οι σταυρωμένοι εραστές) (1954) |
97' |
* * * * * |
| Mizoguchi Kenji |
Genroku chushingura (Οι 47 Ronin) (1941-1942) |
222' |
* * * * |
| Mizoguchi Kenji |
Gion Bayashi (A geisha) (1953) |
86' |
* * * * |
| Mizoguchi Kenji |
Gion no shimai (Οι αδελφές τής Gion) (1936) |
66' |
* * * |
| Mizoguchi Kenji |
Gubijinsô (Οι παπαρούνες) (1935) |
68' |
* |
| Mizoguchi Kenji |
Joyu Sumako no koi (Ο έρωτας τής ηθοποιού Sumako) (1947) |
95' |
* * * * |
| Mizoguchi Kenji |
Maria no Oyuki (Oyuki η παρθένος) (1935) |
79' |
* * * * * |
| Mizoguchi Kenji |
Meito Bijomaru (Το φημισμένο σπαθί τού Bijomaru) (1945) |
67' |
* |
| Mizoguchi Kenji |
Mushashi Miyamoto (1944) |
53' |
* * * |
| Mizoguchi Kenji |
Musashino fujin (Η κυρία από το Musashino) (1951) |
85' |
* * * * |
| Mizoguchi Kenji |
Naniwa erejii (Η ελεγεία της Osaka) (1936) |
71' |
* * * |
| Mizoguchi Kenji |
Oyu-sama (Δεσποινίς Oyu) (1951) |
89' |
* * * |
| Mizoguchi Kenji |
Saikaku ishidai onna (Η ζωή τής Oharu) (1952) |
137' |
* * * * |
| Mizoguchi Kenji |
Sansho Dayu (Ο επιστάτης Sansho) (1954) |
118' |
* * * * |
| Mizoguchi Kenji |
Shin Heike Monogatari (Tales of the Taira Klan) (1955) |
103' |
* * * |
| Mizoguchi Kenji |
Tokyo koshin-kyoku (Tokyo March) (1929) |
28' |
* * |
| Mizoguchi Kenji |
Ugetsu Monogatari (1953) |
94' |
* * * * * |
| Mizoguchi Kenji |
Utamaro o meguru gonin no onna (Ο Utamaro και οι πέντε γυναίκες του) (1946) |
89' |
* * * |
| Mizoguchi Kenji |
Uwasa no onna (Κακόφημη γυναίκα) (1954) |
83' |
* * * |
| Mizoguchi Kenji |
Waga koi wa moenu (Φλόγα του έρωτά μου) (1949) |
84' |
* |
| Mizoguchi Kenji |
Yokihi (Η πριγκίπισσα Yang-Kwei-Fei) (1955) |
91' |
* * * * |
| Mizoguchi Kenji |
Yoru no onna-tachi (Γυναίκες τής νύχτας) (1948) |
74' |
* * * |
| Mizoguchi Kenji |
Yuki fujin ezu (Η μοίρα τής κυρίας Yuki) (1950) |
88' |
* * |
| Mizoguchi Kenji |
Zangiku monogatari (Η ιστορία τού τελευταίου χρυσάνθεμου) (1939) |
115' |
* * * |
| Moretti Nanni |
Aprile (1998) |
78' |
* * * * |
| Moretti Nanni |
Bianca (1984) |
93' |
* * |
| Moretti Nanni |
Caro diario (1994) |
96' |
* * * * |
| Moretti Nanni |
Ecce Bombo (1978) |
103' |
* * * |
| Moretti Nanni |
Habemus Papam (2011) |
100' |
* * * * |
| Moretti Nanni |
Il Caimano (2006) |
108' |
* * |
| Moretti Nanni |
Il giorno della prima di close-up (1996) |
7' |
* * |
| Moretti Nanni |
Io sono un autarchico (1976) |
95' |
* |
| Moretti Nanni |
La messa è finita (1985) |
92' |
* * * * |
| Moretti Nanni |
La stanza del figlio (2001) |
100' |
* |
| Moretti Nanni |
Mia madre (2015) |
106'% |
* |
| Moretti Nanni |
Palombella rossa (1989) |
87' |
* * * * |
| Moretti Nanni |
Sogni d'oro (1981) |
105' |
* * |
| Moretti Nanni |
The Last Customer (2003) |
23' |
* * |
| Moretti Nanni |
Moretti - Monicelli Match polemico |
|
* |
| Murnau Friedrich Wilhelm |
City Girl |
85' |
* * * |
| Murnau Friedrich Wilhelm |
Der Brennende Acker (The Burning Soil) (1922) |
110' |
* * |
| Murnau Friedrich Wilhelm |
Der Letzte Mann (Last laugh) (1924) |
91' |
* * * * |
| Murnau Friedrich Wilhelm |
Faust (1926) |
116' |
* * * * |
| Murnau Friedrich Wilhelm |
Her Tartueff (1926) |
63' |
* * |
| Murnau Friedrich Wilhelm |
Nosferatu (1922) |
81' |
* * * * |
| Murnau Friedrich Wilhelm |
Phantom (1922) |
120' |
* * * * |
| Murnau Friedrich Wilhelm |
Schloss Vogeloed (The Haunted Castle) (1921) |
75' |
* * |
| Murnau Friedrich Wilhelm |
Sunrise (1927) |
91' |
* * * * * |
| Murnau Friedrich Wilhelm |
Tabu (1931) |
81' |
* * * |
| Olmi Ermanno |
Cantando dietro i paraventi (2003) |
96' |
* |
| Olmi Ermanno |
E venne un uomo (1965) |
92' |
* |
| Olmi Ermanno |
Genesis (The Bible) 1994 |
93' |
* |
| Olmi Ermanno |
I fidanzati (1963) |
77' |
* * * * * |
| Olmi Ermanno |
Il mestiere delle armi (2001) |
100' |
* * * |
| Olmi Ermanno |
Il pensionato (1955) |
8' |
* |
| Olmi Ermanno |
Il posto (1961) |
93' |
* * * * * |
| Olmi Ermanno |
Il segreto del bosco vecchio (1993) |
134' |
* |
| Olmi Ermanno |
Il tempo si è fermato (1959) |
83' |
* * |
| Olmi Ermanno |
Il villaggio di cartone (2012) |
83' |
* * |
| Olmi Ermanno |
La circostanza (1974) |
95' |
* * |
| Olmi Ermanno |
La Cotta (1967) |
50' |
* * * * |
| Olmi Ermanno |
La leggenda del santo bevitore (1988) |
125' |
* * * * * |
| Olmi Ermanno |
L'albero degli zoccoli (1978) |
179' |
* * * |
| Olmi Ermanno |
Lunga vita alla signora (1987) |
105' |
* |
| Olmi Ermanno |
Tickets (2005) |
105' |
* * |
| Olmi Ermanno |
Torneranno i prati (2015) |
73' |
* |
| Olmi Ermanno |
Un certo giorno (1969) |
105' |
* * * |
| Ozu Yasujiro |
Akibiyori (Τέλος τού φθινοπώρου) (1960) |
128' |
* * * |
| Ozu Yasujiro |
Bakushu (Αρχή τού καλοκαιριού) (1951) |
125' |
* * * * |
| Ozu Yasujiro |
Banshun (Τέλος τής άνοιξης) (1949) |
108' |
* * * * * |
| Ozu Yasujiro |
Chichi ariki (Ήταν ένας πατέρας) (1942) |
94' |
* * * * |
| Ozu Yasujiro |
Daigaku wa deta keredo (Αποφοίτησα αλλά…) (1929) |
70' |
* * |
| Ozu Yasujiro |
Dekigokoro (Ένα καπρίτσιο) (1933) |
101' |
* * |
| Ozu Yasujiro |
Haha wo kowazuya (A Mother Should Be Loved) (1934) |
73' |
* * * * |
| Ozu Yasujiro |
Higanbana (Άνθη τής ισημερίας) (1958) |
118' |
* * * * |
| Ozu Yasujiro |
Hijosen no onna (Μαχόμενη γυναίκα) (1933) |
71' |
* |
| Ozu Yasujiro |
Hitori musuko (Ο μοναχογιός) (1936) |
87' |
* * * * |
| Ozu Yasujiro |
Hogaraka ni ayume (Περπάτα χαρούμενα) (1930) |
90' |
* |
| Ozu Yasujiro |
Kaze no naka no mendori (Μια κότα στον άνεμο) (1948) |
84' |
* * * * * |
| Ozu Yasujiro |
Kohayagawa-ke no aki (Το Τέλος του καλοκαιριού) (1961) |
103' |
* * * * |
| Ozu Yasujiro |
Munekata kyoudai (Οι αδελφές Munekata) (1950) |
112' |
* * |
| Ozu Yasujiro |
Nagaya shinshiroku (Το αρχείο ενός σπιτονοικοκύρη) (1947) |
72' |
* * * |
| Ozu Yasujiro |
Ochazuke no aji (Η γεύση τού πράσινου τσαγιού μετά το ρύζι) (1952) |
115' |
* * * * |
| Ozu Yasujiro |
Ohayo (Καλημέρα) (1959) |
94' |
* * * |
| Ozu Yasujiro |
Rakudai wa shita keredo (Απορρίφθηκα αλλά…) (1930) |
65' |
* * |
| Ozu Yasujiro |
Samma no aji (Ένα φθινοπωρινό απόγευμα) (1962) |
112' |
* * * * |
| Ozu Yasujiro |
Seishun no yume imaizuko (Πού είναι τα όνειρα της νιότης;) (1932) |
92΄ |
* * |
| Ozu Yasujiro |
Shukujo to hige (Το κορίτσι και η γενειάδα), (1931) |
75' |
* |
| Ozu Yasujiro |
Shukuzo wa nani o wasureta ka (Τι ξέχασε η κυρία) (1937) |
71' |
* * * |
| Ozu Yasujiro |
Sono yo no tsuma (Η σύζυγος εκείνης τής νύχτας) (1930) |
65΄- 10΄ |
* * |
| Ozu Yasujiro |
Soshun (Αρχή τής άνοιξης) (1956) |
144' |
* * * * |
| Ozu Yasujiro |
Todake no kyodai (Αδελφοί και αδελφές τής οικογένειας Toda) (1941) |
105' |
* * * * |
| Ozu Yasujiro |
Tokkan kozo (Ένα αδίστακτο αγόρι) (1929) |
13΄ |
* * * |
| Ozu Yasujiro |
Tôkyô boshoku (Ηλιοβασίλεμα στο Tokyo) (1957) |
135' |
* * * |
| Ozu Yasujiro |
Tokyo Ga (Wenders) |
92' |
* |
| Ozu Yasujiro |
Tôkyô monogatari (Ταξίδι στο Tokyo) (1953) |
136' |
* * * * * |
| Ozu Yasujiro |
Tôkyô no gassho [ή Tôkyô kôrasu] (Η χορωδία τού Tokyo) (1931) |
90' |
* * |
| Ozu Yasujiro |
Tôkyô no onna (Μια γυναίκα του Τόκιο) (1933) |
47΄ |
* * |
| Ozu Yasujiro |
Tôkyô no yado (Ένα πανδοχείο στο Τόκιο) (1935) |
80' |
* * * * |
| Ozu Yasujiro |
Ukigusa (Χορταράκια στον άνεμο) (1959) |
119' |
* * * * |
| Ozu Yasujiro |
Ukigusa monogatari (Η ιστορία με τα χορταράκια στον άνεμο) (1934) |
86' |
* * * * |
| Ozu Yasujiro |
Umaret wa mita keredo (Γεννήθηκα, αλλά… ) (1932) |
89' |
* * * * |
| Ozu Yasujiro |
Wasei kenka tomodahi (1929) (Fighting Friends) |
15' |
* |
| Pasolini Pier Paolo |
Accattone (1961) |
120' |
* * * * * |
| Pasolini Pier Paolo |
Amore e rabbia (La sequenza del fiore di carta) (1969) (2 DVD) |
10' |
* |
| Pasolini Pier Paolo |
Appunti per un film sull' India (1968) |
32' |
* * * |
| Pasolini Pier Paolo |
Appunti per un Orestiade Africana (1970) |
65' |
* * * |
| Pasolini Pier Paolo |
Capriccio all'italiana (Che cosa sono le nuvole) (1968) |
80' |
* * * * |
| Pasolini Pier Paolo |
Comizi d'amore (1964) |
90' |
* * * * |
| Pasolini Pier Paolo |
RoGoPaG (La ricotta) (1962) |
35' |
* * * * |
| Pasolini Pier Paolo |
Edipo Re (1967) |
100' |
* * * |
| Pasolini Pier Paolo |
Il Decameron (1970) |
107' |
* * * |
| Pasolini Pier Paolo |
Il fiore delle mille e una notte (1974) |
125' |
* * * * |
| Pasolini Pier Paolo |
Il Vangelo secondo Matteo (1964) |
127' |
* * * * * |
| Pasolini Pier Paolo |
La Rabbia (1963) |
149' |
* |
| Pasolini Pier Paolo |
La terra vista dalla luna (1966) |
22' |
* |
| Pasolini Pier Paolo |
Mamma Roma (1962) |
102' |
* * * * * |
| Pasolini Pier Paolo |
Medea (1969) |
110' |
* |
| Pasolini Pier Paolo |
Porcile (1969) |
99' |
* * |
| Pasolini Pier Paolo |
Racconti di Canterbury (1971) |
107' |
* * * |
| Pasolini Pier Paolo |
Salò o le 120 giornate di Sodoma (1975) |
112' |
* * * * |
| Pasolini Pier Paolo |
Teorema (1968) |
94' |
* * * * |
| Pasolini Pier Paolo |
Uccellacci e uccellini (1966) |
88' |
* * * |
| Ray Nicholas |
55 Days at Peking (1963) |
85' |
* |
| Ray Nicholas |
A Woman's Secret (1949) |
91' |
* |
| Ray Nicholas |
Bigger Than Life (1956) |
102' |
* * * |
| Ray Nicholas |
Bitter Victory (1957) |
94' |
* * * |
| Ray Nicholas |
Born to Be Bad (1950) |
102' |
* |
| Ray Nicholas |
Flying Leathernecks (1951) |
90' |
* * |
| Ray Nicholas |
Hot Blood (1956) |
94' |
* * |
| Ray Nicholas |
In a Lonely Place (1950) |
106' |
* * * * * |
| Ray Nicholas |
Johnny Guitar (1954) |
154' |
* * * * * |
| Ray Nicholas |
Knock On Any Door (1949) |
82' |
* * |
| Ray Nicholas |
On Dangerous Ground (1952) |
95' |
* * * * |
| Ray Nicholas |
Party Girl (1958) |
107' |
* * |
| Ray Nicholas |
Rebel without a cause (1955) |
93' |
* * * |
| Ray Nicholas |
Run for Cover (1955) |
109' |
* * * |
| Ray Nicholas |
The Savage Innocents (1959) |
92' |
* * |
| Ray Nicholas |
The True Story of Jesse James (1957) |
95' |
* |
| Ray Nicholas |
They Live by Night (1948) |
113' |
* * * * * |
| Ray Nicholas |
The Lusty Men (1952) |
88' |
* * * * |
| Ray Nicholas |
Wind Across the Everglades (1957) |
89' |
* * |
| Renoir Jean |
Boudu (1932) |
84' |
* * * |
| Renoir Jean |
French Cancan (1954) |
95' |
* * * * |
| Renoir Jean |
La Chienne (1931) |
91' |
* * |
| Renoir Jean |
La Grande Illusion (1937) |
114' |
* * |
| Renoir Jean |
La Marseillaise (1938) |
135' |
* * * |
| Renoir Jean |
La nuit du carrefour (1932) |
75' |
* |
| Renoir Jean |
La Petite Marchande d'allumettes (1928) |
40' |
* |
| Renoir Jean |
Sur una Air de charleston (1927) |
17' |
* |
| Renoir Jean |
La Règle du jeu (1939) |
106' |
* * * * * |
| Renoir Jean |
Le Caporal épinglé (1962) |
90' |
* |
| Renoir Jean |
Le carosse d'or (1953) |
103' |
* * * * |
| Renoir Jean |
Le crime de monsieur Lange (1935) |
75' |
* * * * |
| Renoir Jean |
Le Déjeuner sur l'herbe (1959) |
91' |
* * * * |
| Renoir Jean |
Le petit théâtre de Jean Renoir (1970) |
100' |
* * * |
| Renoir Jean |
Le Testament du Docteur Cordelier (1959) |
95' |
* |
| Renoir Jean |
Les Bas-Fonds (The Lower Depths) (1936) |
95' |
* |
| Renoir Jean |
Madame Bovary (1933) |
101' |
* * * * * |
| Renoir Jean |
Partie de campagne (1936) |
39' |
* * * * * |
| Renoir Jean |
Swamp Water (1941) |
86' |
* |
| Renoir Jean |
The River (1951) |
99' |
* |
| Renoir Jean |
The Southerner (1946) |
91' |
* |
| Renoir Jean |
The Woman On The Beach (1947) |
71' |
* * |
| Renoir Jean |
This Land Is My Land (1943) |
103' |
* * |
| Renoir Jean |
Toni (1935) |
82' |
* * * * |
| Rossellini Roberto |
Agostino d'Ippona (1972) |
115' |
* * |
| Rossellini Roberto |
Amore (La voce umana - Il miracolo) (1948) |
30'-40' |
* * * |
| Rossellini Roberto |
Napoli 1943 [Amori di mezzo secolo] (1954) |
12' |
* * |
| Rossellini Roberto |
Anno uno (Alcide de Gasperi) (1974) |
118' |
* |
| Rossellini Roberto |
Blaise Pascal (1972) |
124' |
* * * |
| Rossellini Roberto |
Cartesio (1974) |
155' |
* * * |
| Rossellini Roberto |
Desiderio (1946) |
95' |
* |
| Rossellini Roberto |
Dov'è la libertà…? (1954) |
95' |
* * |
| Rossellini Roberto |
Era notte a Roma (1960) |
136' |
* |
| Rossellini Roberto |
Europa '51 (1952) |
110' |
* * * * |
| Rossellini Roberto |
Fantasia sottomarina (1940) |
15' |
* |
| Rossellini Roberto |
Francesco giullare di Dio (1950) |
83' |
* * * * * |
| Rossellini Roberto |
Germania anno zero (1947) |
71' |
* * * |
| Rossellini Roberto |
Giovanna D'Arco al rogo (1954) |
70' |
* |
| Rossellini Roberto |
India. Matri Bhumi (1959) |
89' |
* * |
| Rossellini Roberto |
I sette peccati capitali (L'invidia) (1952) |
124' (20') |
* |
| Rossellini Roberto |
Il Generale Della Rovere (1959) |
135' |
* |
| Rossellini Roberto |
Il Messia (1976) |
145' |
* * * * |
| Rossellini Roberto |
La macchina ammazzacattivi (The Machine to Kill Bad People) (1952) |
80' |
* * |
| Rossellini Roberto |
La paura (1954) |
75' |
* * * |
| Rossellini Roberto |
La prise de pouvoir par Louis XIV (1966) |
100' |
* * * * |
| Rossellini Roberto |
L'età di Cosimo dei Medici (1. Il potere 2. L'esilio) (1973) |
124' |
* * * * |
| Rossellini Roberto |
L'età di Cosimo dei Medici (1973) Episode 3 (Leon Battista Alberti: L'umanesimo) |
90' |
* * * * |
| Rossellini Roberto |
L'India vista da Rossellini (1959) |
251' |
* * |
| Rossellini Roberto |
L'uomo dalla croce (1943) |
72' |
* |
| Rossellini Roberto |
Paisà (1946) |
120' |
* * * * |
| Rossellini Roberto |
RoGoPaG (Illibatezza) (1963) |
34' |
* |
| Rossellini Roberto |
Roma città aperta (1945) |
98' |
* * |
| Rossellini Roberto |
Siamo Donne (Ingrid Bergman) (1953) |
93' |
* |
| Rossellini Roberto |
Socrate (1970) |
114' |
* |
| Rossellini Roberto |
Stromboli (1949) |
102' |
* * * |
| Rossellini Roberto |
Un pilota ritorna (1942) |
81' |
* |
| Rossellini Roberto |
Vanina Vanini (1961) |
127' |
* |
| Rossellini Roberto |
Viaggio in Italia (1953) |
81' |
* * * * * |
| Ruttman Walther |
Berlin, Symphony of a great city + Οpus 1 (1927) |
62'+10' |
* * * * |
| Scola Ettore |
Ballando, ballando (Le bal) (1983) |
110' |
* * |
| Scola Ettore |
Brutti sporchi e cattivi (1976) |
111' |
* * |
| Scola Ettore |
C'eravamo tanto amati (1974) |
124' |
* * * |
| Scola Ettore |
Che ora è? (1989) |
93' |
* * * * |
| Scola Ettore |
Concorrenza sleale (2001) |
106' |
* * * |
| Scola Ettore |
Gente di Roma (2003) |
93' |
* * * * |
| Scola Ettore |
I nuovi mostri (1977) |
136' |
* * |
| Scola Ettore |
Il mondo nuovo (La nuit de Varennes) (1982) |
146' |
* * * * |
| Scola Ettore |
Il viaggio di Capitan Fracassa (1991) |
132' |
* * * * |
| Scola Ettore |
La cena (1998) |
126' |
* * * * |
| Scola Ettore |
La famiglia (1987) |
140' |
* * * * |
| Scola Ettore |
La più bella serata della mia vita (1972) |
107' |
* |
| Scola Ettore |
La terrazza (1980) |
118' |
* * * * |
| Scola Ettore |
L'Arcidiavolo (1966) |
100' |
* |
| Scola Ettore |
Maccheroni (1985) |
103' |
* * |
| Scola Ettore |
Mario, Maria e Mario (1993) |
107' |
* * * |
| Scola Ettore |
Passione d'amore (1981) |
113' |
* |
| Scola Ettore |
Romanzo di un giovane povero (1995) |
120' |
* * * * |
| Scola Ettore |
Se permettete parliamo di donne (1964) |
108' |
* * |
| Scola Ettore |
Signore e signori buonanotte (con altri registi) (1976) |
114' |
* |
| Scola Ettore |
Splendor (1989) |
115' |
* * * * |
| Scola Ettore |
Una giornata particolare (1977) |
102' |
* * |
| Tarkovsky Andrei |
Andrei Rublyov (1966) |
205' |
* * * * * |
| Tarkovsky Andrei |
Ivanovo detstvo (Ivan's childhood) (1962) |
96' |
* * * |
| Tarkovsky Andrei |
Nostalghia (1983) |
120' |
* * * * |
| Tarkovsky Andrei |
Katok i skripka (The steamroller and the violin) (1960) |
43' |
* * |
| Tarkovsky Andrei |
Offret (Sacrifice) (1986) |
143' |
* * * * |
| Tarkovsky Andrei |
Solyaris (1972) |
80' + 89' |
* * * * |
| Tarkovsky Andrei |
Stalker (1979) |
155' |
* * * * * |
| Tarkovsky Andrei |
Zerkalo (The Mirror) (1975) |
106' |
* * * * * |
| Tati Jacques |
Jour de Fête (1949) |
70' |
* * * * |
| Tati Jacques |
Les vacances de Mr Hulot (1953) |
87' |
* * * * * |
| Tati Jacques |
Parade (1974) |
85' |
* * |
| Tati Jacques |
Playtime (1967) |
120' |
* * * * * |
| Tati Jacques |
Mon Oncle (1958) |
116' |
* * * * * |
| Tati Jacques |
Traffic (1971) |
96' |
* * * * |
| Visconti Luchino |
Bellissima (1951) |
108' |
* * * * |
| Visconti Luchino |
Gruppo di famiglia in un interno (Conversation piece) (1974) |
97' |
* * * * * |
| Visconti Luchino |
Il Gattopardo (1963) |
161' |
* * * * * |
| Visconti Luchino |
La caduta degli dei (The Damned) (1969) |
146' |
* * * |
| Visconti Luchino |
La terra trema (1948) |
154' |
* * * * |
| Visconti Luchino |
Le notti bianche (1957) |
97' |
* * * * |
| Visconti Luchino |
Le vaghe stelle dell' Orsa (Τα χλωμά αστέρια της άρκτου) (1963) |
100' |
* * * |
| Visconti Luchino |
L'innocente (1976) |
112' |
* * |
| Visconti Luchino |
Ludwig (1972) |
238' |
* * * * |
| Visconti Luchino |
Morte a Venezia (1971) |
131' |
* * * * * |
| Visconti Luchino |
Ossessione (1943) |
135' |
* * * * |
| Visconti Luchino |
Rocco e i suoi fratelli (1960) |
170' |
* * * * * |
| Visconti Luchino |
Senso (1954) |
117' |
* * * * |
| Visconti Luchino |
Siamo Donne (Anna Magnani) (con altri registi) (1953) |
93' |
* * * |
| Wegener Paul |
The Golem (1920) |
86' |
* * * |
| Wenders Wim |
Alice in den Staedten (Alice In The Cities) (1974) |
110' |
* * * * |
| Wenders Wim |
Aufzeichnungen zu Kleidem und Stadten (Notebook On Cities And Clothes) (1989) |
85' |
* |
| Wenders Wim |
Bis ans Ende der Welt (Until The End Of The World) (1991) |
158' |
* * * * |
| Wenders Wim |
Buena Vista Social Club (1999) |
105' |
* |
| Wenders Wim |
Der Amerikanische Freund (1977) |
125' |
* * |
| Wenders Wim |
Der Himmel ueber Berlin (The Wings of Desire) (1987) |
122' |
* * * |
| Wenders Wim |
Der Scharlachrote Buchstabe (The Scarlet Letter) (1972) |
86' |
* |
| Wenders Wim |
Der Stand der Dinge (The State Of Things) (1982) |
121' |
* * * * |
| Wenders Wim |
Die Angst der Tormmans beim Elfmeter (1971) |
97' |
* * |
| Wenders Wim |
Die Gebrueder Skladanowski (1996) |
76' |
* |
| Wenders Wim |
Falsche Bewegung (False Movement) (1975) |
99' |
* * |
| Wenders Wim |
Hammet (1982) |
94' |
* |
| Wenders Wim |
Im Lauf der Zeit (Kings Of The Road) (1976) |
170' |
* * * * * |
| Wenders Wim |
In weiter Ferne, so nah! (Faraway so close) (1993) |
146' |
* * * |
| Wenders Wim |
Land of Plenty (2004) |
118' |
* * * * |
| Wenders Wim |
Lightning Over Water - Nick's movie (1980) |
85' |
* * * |
| Wenders Wim |
Lisbon Story (1994) |
105' |
* * * * |
| Wenders Wim |
Paris Texas (1984) |
139' |
* |
| Wenders Wim |
Room 666 (1982) |
44' |
* |
| Wenders Wim |
The End of Violence (1997) |
122' |
* |
